Archive for June, 2008


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Moonbound – Confession and Release

Moonbound Confession and Release album I’ve been enjoying the first solo release from producer/bassist/singer-songwriter Fabio Trentini , whose project falls under the moniker “Moonbound.” The 12-song disc, titled Confession and Release on Unsung Records , is a pop-rock mix in the style of Crowded House, Howard Jones and XTC – parts even sound like Emitt Rhodes to my ears – with a bit of an edge.

Trentini builds songs with layers of sounds from instruments ranging from Minimoogs and pedal-steel guitars to ukeleles and talking drums, and Trentini plays many of the instruments himself. Other sounds come courtesy of guest musicians including percussionist and King Crimsonite Pat Mastelotto and “touch guitarist” Markus Reuter .

Although the tunes are multi-layered, the arrangements are subtle and serve the songs, instead of overwhelming them. And Trentini’s melodies stick in your head. My favorite tracks are the lush, power-poppish numbers including “Nina,” “Future After You” and “My Life Ain’t Worth Being Lived Without You.” This is a solid first effort. Cool album art, too. Check it out!

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Rick Danko – Times Like These album review

Rick Danko Times Like These album cover Without question, bassist/vocalist Rick Danko had one of the most expressive voices in rock music. It could be joyful or mournful, sometimes sounding as if it would shatter like glass, as on the heartachingly beautiful “It Makes No Difference,” from The Band’s 1975 release Northern Lights-Southern Cross . His singing on The Band’s landmark debut, Music From Big Pink , in many ways defined the sound of the group – not easy in a band that also featured the formidable singing talents of Richard Manuel and Levon Helm.

Although Danko’s name will be forever associated with The Band, he went on to a fruitful solo career. Times Like These was Danko’s last solo record, released posthumously in 1999 and recently reissued by Woodstock Records. It includes songs from an earlier, unfinished solo project up to his final live performance shortly before his death.The 10 songs are an even mix of Danko originals and covers. The album has an old-timey feel to it, like a group of friends playing together in an old barn without a care in the world. Of course, when your friends include fellow Band-ers Helm and Garth Hudson along with Joe Walsh and Tom Pacheco, among others, you’re gonna get something worth recording.

There’s also a feeling of optimism running throughout the recording, with tunes such as the title track, “You Can Go Home” and “People Of Conscience” providing a lens into Danko’s personal feelings about people helping others and making the world a better place.

Gentle covers of the Grateful Dead’s “Ripple” and Sam Cooke’s “Chain Gang” are balanced by a joyous take on the Fats Domino/Dave Bartholomew number “Let The Four Winds Blow” and a foot-stomping “All Our Past Times,” which Danko wrote with Eric Clapton in the ’70s.

One of Danko’s most famous songs is “This Wheel’s On Fire,” a tune he co-wrote with Bob Dylan for Big Pink . Here it’s treated almost as an instrumental, with Hudson’s accordion spinning it into the realm of something akin to Hungarian folk music.

Times Like These doesn’t quite scale the heights of Danko’s 1977 self-titled solo debut, but it’s a welcoming window into the musical light that shone around one of music’s most singular talents.

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Shawn Phillips – Contribution and Second Contribution Revisited

Shawn Phillips Contribution album Shawn Phillips Second Contribution album

Over the weekend I listened to two of my favorite records for the first time in many months. The albums in question are Shawn Phillips’ phenomenal Contribution and Second Contribution . Phillips is an incredibly skilled songwriter and musician who never quite got his due. If you’ve never heard him, I’d recommend Second Contribution as the starting point. It’s a brilliant mix of many musical styles and features some fantastic lyrics.

In 2006, I had the opportunity to chat with Phillips about making those two albums and an unreleased album that would have completed the Contribution trilogy. You can read it here .

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5 Great Forgotten Rock Albums – Fastway, Thin Lizzy, Nazareth, Angel, The James Gang

1. Fastway – Fastway (1983)

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Now playing: Fastway – Feel Me, Touch Me (Do Anything You Want)
via FoxyTunes

Fastway album


This album was supposed to bring UFO bassist Pete Way, Motorhead guitarist “Fast” Eddie Clarke, and Humble Pie drummer Jerry Shirley together into the latest supergroup, but Way soon bailed on the band, leaving Clarke, Shirley, and a teen-aged singer named David King to complete the record with session bassist Mick Feat. King (now of Flogging Molly) sings his lungs out, and Clarke’s riffs and Shirley’s booming drums never stop. The energy is palpable on every song, from the buzz of “Easy Living” and “Feel Me, Touch Me (Do Anything You Want)” to the grandiose “Heft” and “We Become One.” This is a near perfect hard-rock/metal album.

2. Thin Lizzy – Bad Reputation (1977)

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Now playing: Thin Lizzy – Bad Reputation
via FoxyTunes

Thin Lizzy picture

Paired down to the trio of Phil Lynott, Scott Gorham and Brian Downey, Ireland’s Thin Lizzy unleashed a nine-song assault equal parts tranquil (“Southbound” and “Downtown Sundown”) and street-tough (“Soldier Of Fortune” and “Opium Trail”). And check out Downey’s amazing drumming on the frenetic title track!

3. Nazareth – No Mean City (1978)

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Now playing: Nazareth – May The Sunshine
via FoxyTunes

nazareth+no+mean+city 5 Great Forgotten Rock Albums   Fastway, Thin Lizzy, Nazareth, Angel, The James Gang

Released three years and four albums after the breakthrough Hair Of The Dog album, No Mean City sees Nazareth entering the twin-guitar zone for the first time, as new member Zal Cleminson joins Manny Charlton for a hard-charging set of overdriven blues rockers. Vocalist Dan McCafferty, as always, sings in his primal growl on “Just To Get Into It” and “Claim To Fame,” while backing off a step on “Star,” the album’s lone ballad. “May The Sunshine” is a splendid acoustic-drenched sing-along, but it’s the menacing title track, in two parts, that steals the show. And then there’s the amazing cover art…

4. Angel – Angel (1975)

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Now playing: Angel – Mariner
via FoxyTunes

angel band

The debut album from one of rock’s most unfairly lambasted acts is also Angel’s best. Critics could never get past the band’s image. What so many forget or never got is that Angel wrote good songs, had good guitar riffs and one of the most underappreciated singers in Frank Dimino. The dude had pipes. Opening with the powerful “Tower,” Angel alternate between straight-ahead rock (“Rock & Rollers,” “Sunday Morning” and “On & On”) and the mysterious and brooding (“Mariner” and “Broken Dreams”), ending with the band’s own “Angel (Theme).” Keyboardist Gregg Giuffria’s layers of sounds and textures frame perfectly guitarist Punky Meadows’ playing. If you don’t like this record, you’re just wrong.

5. The James Gang – Thirds (1971)

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Now playing: Joe Walsh – Midnight Man
via FoxyTunes

james gang album

It’s unfortunate that a band as great as The James Gang are known largely for two songs – “Walk Away” and “Funk #49.” Granted, those are excellent tunes, but there’s so much more to the JG, as evidenced on this album. More experimental than anything they had done previously, guitarist Joe Walsh, bassist Dale Peters and drummer Jim Fox branch out on this last album together. “Yadig?” is a gentle keyboard vamp that sounds more like late-night jazz with some nifty brush work by Fox; “Dreamin’ In The Country” is a Poco-esque country rocker with pedal steel guitar; “It’s All The Same” is an atmospheric ballad bolstered by horns and strings; while the multi-layered guitars on “Midnight Man” and the phenomenal solo on “White Man/Black Man” demonstrate why Walsh is such a highly regarded player.

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Whitesnake – Good To Be Bad

Whitesnake album

If you haven’t heard the new Whitesnake album, Good To Be Bad , you need to. Who would have guessed that 30 years into the fold, Whitesnake (aka David Coverdale and latest backing members) would release the best album of the band’s career. Coverdale’s voice has never sounded better, and songs such as “Best Years” and “A Fool In Love” are vintage blues-rock with an attitude. “Can You Hear The Wind Blow,” particularly, is a monster track, with a nasty guitar riff and rhythm.

Doug Aldrich and Reb Beach make a great guitar duo, laying down the grooves and solos but never let their playing get in the way of the songs. The material rings out with ’80′s rock-chismo but never sounds dated. Rather, the songs are a testament to Coverdale’s deep experience in the biz and knowing how to put together a song that sticks in the memory long after listening. If MTV were still in the business of playing music videos, they’d have their broadcasting hands full with this album. One can imagine songs such as “Summer Rain,” “All I Want, All I Need” and “All For Love” visually adorned with a hot model draped over some barely street-legal sports car. Ah, the good old days!

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Molly Hatchet Interview – Molly Hatchet & Flirtin’ With Disaster

MH+Flirtin Molly Hatchet Interview   Molly Hatchet & Flirtin With Disaster
I recently spoke with original Molly Hatchet bassist Banner Thomas about the band’s first two albums, Molly Hatchet and Flirtin’ With Disaster. Read the interview at Goldmine magazine.

MH Molly Hatchet Interview   Molly Hatchet & Flirtin With Disaster

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MSG: Schenker-Barden – In The Midst Of Beauty

Michael%20Schenker%20Group%20In%20The%20Midst%20Of%20Beauty MSG: Schenker Barden   In The Midst Of Beauty

A blast from classic rock music’s past – that’s what you’ll hear on the Michael Schenker Group’s latest album, In The Midst Of Beauty . Guitar great Schenker recruited original MSG band members Gary Barden (vocals), Neil Murray (bass), Don Airey (keyboards) and Simon Phillips (drums) to add some familiar punch to the new songs. The 12 songs here run the gamut of emotions, and include some of the strongest material of Schenker’s solo career.

From the opening chug of “City Lights” to the melodic drive of “Ride On My Way,” Schenker and crew fire on all cylinders. The guitar riffs don’t get any more Schenker-esque than on “End Of The Line,” “Come Closer,” or “Na Na,” and his gift for melodic soloing comes through in every song.

But make no mistake, this isn’t just the Michael Schenker show: It’s a group effort in the best sense, with the instruments and vocals given space to blossom. Hearing Murray’s booming bass, Airey’s organ lines and Phillips’ grooves (such as the slinky shuffle of “Wings Of Emotion”) in the mix only serve to give the songs added depth.

Barden puts his stamp across the album. There’s a subtle power in his voice, and his command of vocal nuance comes through in spades on songs such as “The Cross Of Crosses,” “Come Closer” and the fantastic “Summerdays,” with its Deep Purple-ish “Child In Time”-like opening giving way to a gritty Barden vocal. Speaking of Purple, check out “A Night To Remember,” with its heavy organ riffing reminiscent of “Smoke On The Water” or the snake-like intro of “I Want You,” with Schenker and Airey harmonizing on guitar and organ. Powerful stuff.

Welcome back MSG, Mark 1!

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The Essential Rory Gallagher album review

Rory Gallagher Essential CD Cover One of the pleasures of assembling a collection of “greatest” or “essential” tracks for an artist like Rory Gallagher is the unbounded, subjective freedom for picking songs. After all, Gallagher got scant if any radio play, but he had a huge following thanks to his incredible live shows and uncompromising approach to music.

The Essential Rory Gallagher , a two-disc set of Gallagher greats, is a case in point. This 28-song collection includes just eight of the 24 tracks from 2005′s Big Guns: The Very Best Of Rory Gallagher . So, the question begs, what’s better – the “essential” tracks or the “very best” tunes? For my money, The Essential … is the better collection and more representative of Rory’s total recorded output, with songs represented from more than a dozen albums.

Gallagher was a master of electric and acoustic blues, and it’s the electric side that takes precedence here. Tracks such as “Laundromat,” “Brute Force & Ignorance,” “Cradle Rock” and “Bullfrog Blues” demonstrate his fierce blues-rock side, while the racing jazz of “They Don’t Make Them Like You Anymore,” the plaintive acoustic strumming of “Wheels Within Wheels” and the nimble fingerpicking on the instrumental “Lonesome Highway” showcase yet other sides of Gallagher’s musicianship.

A few deep tracks show up as well, including the menacing shuffle “Loanshark Blues,” the power-chord-drenched “Philby” and the muscular “Continental Op” – three songs that should send Gallagher completists back to the Top Priority and Defender albums for another listen. And check out “Edged In Blue,” with its sublime intro and warm guitar tone far from the steely sound Gallagher often coaxed from his trusty Fender Stratocaster.

Gallagher was in his element performing live, and we’re treated to five in-concert tracks, including the momentous “Brute Force & Ignorance” from Stage Struck and “Tattoo’d Lady” from Irish Tour .

I would have argued for a live version of the Chuck Berry-on-steroids’ “Shin Kicker” to be included, too, but that’s minor quibbling.

If you know the name but not the music, this retrospective is truly an essential listen.

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Led Zeppelin ready to reunite?

A recent Foo Fighters show at London’s Wembley Stadium included two surprise guests – Jimmy Page and John Paul Jones of Led Zeppelin fame. The pair joined the Fighters and performed “Rock And Roll” and “Ramble On.” In a post-concert interview, Page said Zeppelin were ready to reunite and play live. There’s more to read at the Telegraph.co.uk.
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Fish – 13th Star Album Review

13front Fish   13th Star Album Review

Scottish singer/songwriter Fish’s latest album, 13th Star , began as a loose concept album of searching, with the 13th star as a symbolic guide. As Fish told the Bristol Evening Post , “The start of the album is about being trapped in a kind of mundane lifestyle and how he breaks out of that shell, moves forward, finds a new love and tries to make that new love work and find some direction in his life.” The events of Fish’s own life that followed the album’s creation give added resonance to the concept.
On Valentine’s Day 2007, Fish became engaged to Mostly Autumn vocalist Heather Findlay. He then suffered a gut-wrenching break-up, as the bride-to-be backed out of the wedding after the invitations had been sent and just one week into the recording of 13th Star .

During this incredibly difficult time, Fish kept writing and recording music as well as documenting his emotional highs and lows through his Web site e-mails to fans. As his personal life was unraveling, Fish found the will to carry on and finish the record, even though the album’s “love” songs were being sung now to one who was no longer in his life. What could have resulted in an album of anger and accusation, instead blossomed into something of shimmering beauty and grace, maturity and vulnerability. One needn’t know the history to enjoy 13th Star , but knowing what the man went through makes one appreciate the finished product even more.

Fish co-wrote eight of the album’s 10 songs with bassist Steve Vantsis, who brought a new set of influences and sounds to the mix. The collaboration produced an album of songs that stand together as the best single disc Fish has made. It’s a an album in the truest sense, with a logical flow and no filler; it’s best enjoyed as a whole in one listen.

And the whole package is adorned with the magnificent artwork of Mark Wilkinson , who has created one of the most memorable covers and CD art in recent memory.

Opening with the crunchy rocker “Circle Line,” we jump right into the “search” for the 13th star as Fish laments the routine of 9-to5 life, “I follow strangers blindly through toward the so familiar doors… Navigator, need a navigator…” Song two, “Square Go,” is a blistering riff-fest, with screaming guitars and Fish narrating, “I want to just hit back at this world/One day I want a level playing field…”But we all know there is no rocker Fish without balladeer Fish, and the gentle “Miles De Besos” is the first of several romantic gestures, recalling a Chilean affair, where “A heart full of hope and the wings of a prayer” were freely offered. The swooping “Arc Of The Curve” is an aching song of bittersweet memory, with Fish singing, “It takes everything I have not to call you on the phone/Just to tell you that I couldn’t love you more,” while “Where In The World” recounts “This time last year I was in love, this time last year there was a dream/That was in motion that was oh so real.”

“Dark Star” is probably my favorite tune of the bunch. The song builds to a rupturing climax on a spooky keyboard part, with Fish trying to make sense of his world, recalling “A naked man, across the lawn, ghosts of morning walk a carpet of tears” and wanting to break free – “I want to be a meteor, want to travel at the speed of light.”

Not only are the lyrics some of Fish’s best, but the musical arrangements give them added dimension and vice versa, such as the dry punch of drums on “Manchmal” or the magnificent title track, with Foss Patterson’s dulcimer playing in the background like some Venetian love song.

To simply record 13th Star represents an enormous personal accomplishment for Fish, that it stands among his finest work is an even greater artistic triumph. At 50 years of age, Fish may just be reaching his prime.

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