Posts Tagged ‘nektar’


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Nektar – Down To Earth

Nektar Down To Earth1 Nektar   Down To Earth

For many progressive rock fans, the German band Nektar hit their grand slam with the 1973 concept album Remember The Future – essentially one song spread across two album sides. The band’s 1974 follow-up, Down To Earth, takes a wacked-out circus as its theme; Nektar tighten the song structures and create another prog-rock classic.

The vintage Nektar sound is all over: chiming guitar chords (“Show Me The Way”), lilting harmonies (“Early Morning Clown”), perfect melodies (“Little Boy”), in-your-face-bass (“Astral Man”) and a wonderful sense of play (“Nelly The Elephant” and “Fidgety Queen”). Look for the Eclectic Discs reissue, which includes six alternate versions of Down To Earth songs and outtakes.

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Dead Heroes Club – A Time Of Shadow

Dead Heroes Club A Time Of Shadow

For whatever reason progressive rock has never established a foothold in Ireland. Just across the Irish Sea, in neighboring England, progressive rock flourished in the 1970s so much that entire “schools” of prog were born. Maybe it was the political climate of the land that kept the often fantasy-themed explorations of prog from finding roots in Ireland. While English bands such as Yes, Genesis, Emerson, Lake & Palmer were traversing imagined landscapes and worlds, Ireland’s Rory Gallagher’s feet were planted firmly on the ground, playing meat-and-potatoes blues-rock for his country men and women. But there was a void… until now.

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The Pineapple Thief – “Tightly Unwound”

Pineapple Thief \

Tightly Unwound is the seventh studio release from England’s The Pineapple Thief and their first release for Kscope/Snapper Records.  Led by guitarist/singer/songwriter Bruce Soord, the quartet is rounded out by bassist John Sykes, drummer Keith Harrison and keyboardist Steve Kitch.  After cultivating a following over nearly ten years, the band was encouraged by Porcupine Tree frontman Steven Wilson to join with Kscope in order to bring their music to a wider audience.  Kscope, home to other artists with “post-prog” tendencies is a perfect fit for Soord and company.  Tightly Unwound is a clever amalgam of light, sometimes ornate, indie pop with lengthier pieces that build upon themselves and are obscurely structured in movements with well planned repetition of theme.  This is music for which there is little comparison, but that may actually be pushing the boundaries of a developing movement.

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Nektar – Down To Earth review

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For many prog-rock fans, the German band Nektar hit their grand slam with the 1973 concept album Remember The Future – essentially one song spread across two album sides. The band’s 1974 follow-up, Down To Earth, takes a wacked-out circus as its theme; Nektar tighten the song structures and hit another one over the fence.

The classic Nektar sound is all over: chiming guitar chords (“Show Me The Way”), lilting harmonies (“Early Morning Clown”), perfect melodies (“Little Boy”), in-your-face bass (“Astral Man”) and a wonderful sense of playfulness (“Nelly The Elephant” and “Fidgety Queen”). My reissue from Electic/Dream Nebula includes six alternate versions of Down To Earth songs and outtakes.

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Mahogany Frog – DO5 review

Mahogany Frog \"DO5\"

Mahogany Frog are a four-piece progressive rock outfit from Winnipeg, Manitoba, composed of Graham Epp (keyboards, guitars, trumpets), Jesse Warkentin (guitars, keyboards), Scott Ellenberger (bass, keyboards, percussion, trumpets) and J.P. Perron (drums, electronics). Mahogany Frog’s most recent release, DO5 (Moonjune Records), is their fifth, and served as my introduction to the band. DO5 features nine instrumental tracks with a range of sounds from vintage to modern. Expect plenty of tube-y keyboards, processed guitars, sound samples and energy. Although Mahogany Frog’s music is definitely experimental, it isn’t self-obsessed or pretentious. Most important, it’s highly listenable. One of this quartet’s particular strengths is melody, even as multiple layers of sound stream from their instruments, the songs have structure and stick-in-your head lyricism. That’s a neat trick.

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