Posts Tagged ‘magnum opus’


 Powered by Max Banner Ads 

Magma – Bourges 1979, AKT XV

\

It’s safe to say that French band Magma is like no other. Leader Christian Vander’s concept of a futuristic rock/ jazz outfit included a language (Kobaian) constructed specifically to fit his musical vision. To my ears, Kobaian sounds something akin to German, and fans have Web pages devoted to translation if you care to delve deeper into Kobaian linguistics.

Bourges 1979, AKT XV is a double-disc live archival set, capturing Magma on tour supporting their 1979 album Attahk. The seven tracks include two songs from Attahk along with the band’s early magnum opus “Mekanik Destruktiw Kommandoh.”

Bourges is a soundboard recording, with surprisingly good fidelity, and the performances are noteworthy. Musically, the compositions are comparable to some of Frank Zappa’s more experimental work with The Mothers Of Invention, Mahavishnu Orchestra, as well as later John Coltrane and free jazz in general. Mix in a dose of Scott Walker, Richard Wagner, Sun Ra and general weirdness and you’ve got something approaching Magma’s sound. It’s not easy listening, but very musical.

The vocals – particularly the female vocals sung in Kobaian – can be a bit unsettling (they’re very operatic) if you’ve never heard Magma before, but in the context of the band and its mission, they work perfectly. The opening song, “Retrovision,” is a prime example – it will probably either capture your curiosity or scare you. Give it a few listens, though, and you’ll be humming along.

I particularly like the guitar playing of Jean-Luc Chevalier and bassist Michel Herve. Vocalist Klaus Blasquiz seems limitless in his range, Vander is a remarkably powerful and energetic drummer, and guest saxophonist Rene “Stundehr” Garber blows a mean horn on the Coltrane-inspired “Korusz XXVI.”

In all, Bourges 1979 is an excellent recollection of one of the most singular groups in music history and serves as a fine introduction to Magma. If I came back in 300 years, I wouldn’t be surprised if the “progressive rock” of the day sounded very much like 20th century Magma.

  • Share/Bookmark

Kansas – Two For The Show review

kansas two for the show Kansas   Two For The Show review

A band at its peak – that’s what you’ll hear on KansasTwo For The Show, a now two-CD document of the progressive-rock act on tour during 1977-78, in support of their Point Of Know Return album. The original 1978 release has been expanded to include a second disc containing 11 more songs (10 of which were previously unreleased) and is a revealing look at six fantastic musicians, in what is considered the “classic” Kansas lineup: Steve Walsh (vocals/keyboards), Kerry Livgren (guitars/keyboards), Rich Williams (guitars), Robby Steinhardt (vocals/violin), Dave Hope (bass) and Phil Ehart (drums).

At the time, Kansas were enjoying success from the hit “Carry On Wayward Son,” from Leftoverture along with the smash “Dust In The Wind.” Those two songs are only part of the picture, though. The other 22 tunes comprising this set are among Kansas’ best; in fact, although there are “official” Kansas greatest hits albums, I’d submit that this collection is the definitive group of the band’s best songs. And the chance to hear them performed live – there are no overdubs on any of these tracks – is a treat.

Epics such as “Song For America,” “Journey From Mariabronn” and “Magnum Opus” are best heard live, especially on these great performances. The energy is high and the sound is excellent. Ehart’s drums actually sound like drums!

Walsh has long been one of my favorite singers, and he shines here, whether rocking out on “Paradox” and “Portrait (He Knew)” or pulling in the reigns on his lovely “Lonely Wind.” He is surely one of rock’s most underrated vocalists. He and Steinhardt make a formidable and distinctive singing duo.

Disc two serves up the goodies with more tunes from Point Of Know Return, including the excellent “Closet Chronicles”; a thumping Ehart drum solo prefaces the slithering keyboard-driven instrumental “The Spider”; and we get a blistering “Lonely Street,” anchored by a booming Hope bass line. It all makes for a stunning live album.

These are special tunes from a special time in the band’s life – a testament to the great songwriting, primarily, by Livgren and Walsh. Catch a Kansas concert today and you’ll hear many of these same songs. They sounded great in 1978 and they still do 30 years later. Carry on Kansas!

  • Share/Bookmark

 Powered by Max Banner Ads 
Buy VerizonCell Phones and Save. | Thanks to Bank Rates & Reviews, CD Rates and UK Loan