Posts Tagged ‘don airey’


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Forgotten Suns – Innergy

Forgotten Suns Innergy Forgotten Suns   Innergy
Portugal’s Forgotten Suns, after a game of musical chairs to determine their current line-up, have returned to fans of inventive prog-metal with their third release, Innergy.  The record’s loose concept deals with questions of the definition of “life” – whether that relates to the actual physical state of living versus dying, or as it relates to the quality of life.  The lyrics are written by band leader/guitarist Ricardo Falcao and sung by new vocalist Nio. Falcao’s main musical foil, keyboardist Miguel Valadares, returns to the fold and they’re joined by the spectacular rhythm section of drummer J.C. Samora and bassist Nuno Correla.  Despite the chaotic journey the band experienced prior to its release, Innergy is easily one of the best recordings the prog-metal scene has heard in recent years.

Opening with the sounds of an emergency room and an attendant yelling “Clear!” as he tries to revive a patient, “Flashback” centers on the thoughts of this patient as he fights to return the world of the living.  Nio’s voice at times conjures both Mike Patton and Incubus’ Brandon Boyd with clear strains of power and soul.  Falcao’s lead line is crushing and precise as he moves to convey the struggle within the mind of the song’s protagonist.  The EKG sound effect at the close of “Flashback” moves from flatline to the persistent beep indicating our hero’s victory.  The complexities of the rhythm throughout the piece likewise signal to the listener that this band has indeed overcome its own demons and are about to deliver a collection indicative of their own resurrection.

While they’re on a roll, the band charges straight into “Racing the Hours,” an examination of the passage of time as the song’s subject questions the listener about the merits of action over complacency.  Valadares steps to the fore during a solo atop lightning bursts from Samora and Correla.  His keyboarding is incredible as is the sound of his synthesizer – like an aggressive Don Airey, both classic and dazzling at once.  The 10-minute opus “News,” follows with more amazing performances from the group including funk-slapping breaks from Correla and atmospheric sections from Valadares.  Falcao’s lyrics this time follow the hero as he first attempts to escape from hearing the depressing daily news and then is overcome with the realization that rampant natural destruction is consuming Europe and America’s Pacific coast.  Falcao and Valadares play off of one another until at times we’re unable to distinguish guitar from synthesizer.

The idea that there might be one consistent concept running through Innergy is called into question with the tune “Doppelganger.”  At just more than 4 minutes in length, it’s the shortest song on the CD and seems to be designed for release as a single.  The lyrics refer to a menacing double of the hero that lurks just out of view, feasting on human despair.  The song is consistent with the rest of the music on Innergy save for the catchy repeated word “doppelganger” and the four dark tones accompanying it.  Valadares’ solo and textures are once again brilliant.

The 7-minute “An Outer Body Experience” is pure, creepy sci-fi about a man who’s figured out how to escape from a near-death state and enter into a reality where the parameters can only be speculated on by others.  While investigators try to understand what’s happened to the subject, he is driven somewhat mad by the power of his visions and eventually moves to a place beyond heaven and hell, peace and war.  Every member of the group is given room to stretch out and Falcao capitalizes on that by delivering one of his best, demented solos.

With their professed love of Rush, Dream Theater and Marillion, Forgotten Suns are in the mindset to create music that stands alongside that of their favorite groups.  Unlike most other combos with similar inclinations, this band is most capable of delivering music with its own identity that doesn’t merely borrow from what has gone before.  Falcao and company will hopefully soldier on in this incarnation and we can expect more sci-fi short stories from a band with talents well beyond their years spent in the music business.

- Mark Polzin

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10 Best Deep Purple songs

I remember as a teen, reading in the Guinness Book Of World Records, that Deep Purple set a new record, registering themselves as the loudest band on Earth – Purple’s live show in 1970 reportedly throwing out 110 decibels (thank you Marshall stacks!) of blistering sound at those brave enough to saunter front and center stage. Well, any band capable -and willing – of such auditory excess was one I had to hear. And I did, delving into the band’s back catalog and seeking out any live Deep Purple record I could. From Shades Of Deep Purple to Rapture Of The Deep, it’s been a tremendous hard rock ride. Now, I must share my findings.

Although Purple have undergone many lineup changes over the years, some things remain constant – the thick wall of Hammond organ and Ian Paice’s energetic and perfectly played drumming. Hammond and Paice have always blanketed the best of the band – some of the loudest and deliriously fabulous tracks in the rock catalog. Whether it be Ritchie Blackmore, Tommy Bolin or Steve Morse on guitar; Nick Simper, Roger Glover or Glenn Hughes on bass; Rod Evans, Ian Gillan or David Coverdale on vocals, or Jon Lord or Don Airey on keyboards, Deep Purple are as in rock as any band. And their sound is unmistakable. To celebrate, now, more than 40 years of great music,  I’ve picked my 10 favorite songs, across a range of time and in no order. As they once said, “Come Taste The Band.”

1. “Child In Time” (In Rock) – The quintessential Ian Gillan vocal that, along with Jon Lord’s chording, builds up with an oh-so-slow burn. Just when you think Gillan couldn’t go one note higher, he goes five, and then another, and another, and another…

2. “Rat Rat Blue” (Who Do We Think We Are) – One of the nastiest grooves the band ever laid down, from the very underrated Who Do We Think We Are album.

3. “Mistreated” (Burn) – I still dig David Coverdale’s reading of this simmering blues number, really unlike anything else in the Deep Purple catalog. Though the lineup also featured the amazing talents of Glenn Hughes at the time, only Coverdale could put the stamp on this one.

4. “The Mule” (Fireball) – The cosmic sweep of sound from Ian Paice’s drumming and the wash of guitar from Blackmore make this the best “psychedelic” Purple tune in the catalog.

5. “Loosen My Strings” (Purpendicular) – Twelve years after Perfect Strangers, Purple came back with guitarist Steve Morse in tow and released the incredible Purpendicular album. Morse certainly re-energized the band, and this track shows the Purples once again smoking on the water.

6. “Sometimes I Feel Like Screaming” (Purpendicular) – The second standout track from Purpendicular ranks right there with any “classic” Deep Purple song you care to put on the table. The guitar could only be Morse, the vocal and lyrics only Gillan. Superb!

7. “Perfect Strangers” (Perfect Strangers) – Could this be the greatest Deep Purple track of them all? Jon Lord’s intro could petrify wood – and probably did. It’s like a Hammond organ having an orgasm.

8. “Highway Star” (Machine Head) – I hear you saying, “Where all the songs from Machine Head”? Well, most of them are still on that album, as far as I know. “Highway Star” houses my favorite Ritchie Blackmore solo of all, one that you and everyone can hum in their sleep. All the “classically influenced” guitarists that sprang up in the ‘80s owe a massive debt to this song – and Blackmore.

9. “Knocking At Your Back Door” (Perfect Strangers) – Ian Gillan’s wordplay culminated here into perfect rock and roll poetry. The second classic track off Perfect Strangers. Blackmore’s forbidding guitar pizzicatos open, before the maelstrom ensues.

10. “Lazy” (Machine Head) – This song was custom-made for live performance – with plenty of space for jamming and improv – and it became one of Deep Purple’s staple concert numbers. No one writes riffs like Blackmore. Great drumming by Paice (as always) and Gillan goes through the roof again.

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MSG: Schenker-Barden – In The Midst Of Beauty

Michael%20Schenker%20Group%20In%20The%20Midst%20Of%20Beauty MSG: Schenker Barden   In The Midst Of Beauty

A blast from classic rock music’s past – that’s what you’ll hear on the Michael Schenker Group’s latest album, In The Midst Of Beauty . Guitar great Schenker recruited original MSG band members Gary Barden (vocals), Neil Murray (bass), Don Airey (keyboards) and Simon Phillips (drums) to add some familiar punch to the new songs. The 12 songs here run the gamut of emotions, and include some of the strongest material of Schenker’s solo career.

From the opening chug of “City Lights” to the melodic drive of “Ride On My Way,” Schenker and crew fire on all cylinders. The guitar riffs don’t get any more Schenker-esque than on “End Of The Line,” “Come Closer,” or “Na Na,” and his gift for melodic soloing comes through in every song.

But make no mistake, this isn’t just the Michael Schenker show: It’s a group effort in the best sense, with the instruments and vocals given space to blossom. Hearing Murray’s booming bass, Airey’s organ lines and Phillips’ grooves (such as the slinky shuffle of “Wings Of Emotion”) in the mix only serve to give the songs added depth.

Barden puts his stamp across the album. There’s a subtle power in his voice, and his command of vocal nuance comes through in spades on songs such as “The Cross Of Crosses,” “Come Closer” and the fantastic “Summerdays,” with its Deep Purple-ish “Child In Time”-like opening giving way to a gritty Barden vocal. Speaking of Purple, check out “A Night To Remember,” with its heavy organ riffing reminiscent of “Smoke On The Water” or the snake-like intro of “I Want You,” with Schenker and Airey harmonizing on guitar and organ. Powerful stuff.

Welcome back MSG, Mark 1!

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