Archive for January, 2009


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Bad Company – “Bad Company”: Paul Rodgers at his best

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It’s easy to take Bad Company for granted as another ‘70s musical dinosaur destined for perpetual play on classic-rock radio. But give their 1974 debut another spin in its entirety, and Bad Co.’s place in rock becomes clearer.

Certainly Led Zeppelin manager Peter Grant, not one to be bamboozled, saw the band’s possibilities and signed them to his newly formed Swan Song label. Bad Company, composed of vocalist Paul Rodgers, guitarist Mick Ralphs, bassist Boz Burrell and drummer Simon Kirke, didn’t disappoint.

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Neil Young: “Sugar Mountain – Live At Canterbury House 1968″

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Neil Young was just days away from his 23rd birthday and the release of his first solo album when he played the gigs that comprise Sugar Mountain – Live At Canterbury House 1968. And what impresses most is how many great songs Young had already penned. As a member of Buffalo Springfield, Young was responsible for the bulk of the band’s best work, including such stylistically disparate tunes as “Mr. Soul,” “Broken Arrow” and “Expecting To Fly.”

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Alan Parsons Project – Six expanded editions reviewed

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Eric Woolfson and Alan Parsons, the musical genius duo behind the pop symphonic progressive Alan Parsons Project, once referred to the creative journey of producing an album as “not unlike throwing a lump of clay on a potter’s wheel and then shaping and reshaping the material in an infinite number of times until the potter is satisfied.” As Arista Albums continues to dredge up older albums of Parsons and other artists and remaster them for its Legacy series, there are some pretty impressive lumps of clay turning up.

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Bill Bruford retires from public performance

Bill Bruford

Yes, King Crimson, and Earthworks drummer and bandleader Bill Bruford has announced that he will no longer perform in public. After an exemplary 41-year career that has moved through progressive rock to electronic jazz and on to acoustic jazz, Bruford will hang up his sticks and concentrate on “related
activities.”

“It’s been an exciting four decades, but now it’s someone else’s turn,” said Bruford. “I’d like to thank my friends and colleagues and the greater listening public for giving me a more-than-fair hearing. My ambition was always to try to contribute to drumming and music in the broader sense – to try to imagine a better way of doing things today, or the sort of things we might expect drummers to be doing tomorrow. If I’ve managed to push things forward an inch or two over the years, then that is a source of satisfaction.”

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Magma – Bourges 1979, AKT XV

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It’s safe to say that French band Magma is like no other. Leader Christian Vander’s concept of a futuristic rock/ jazz outfit included a language (Kobaian) constructed specifically to fit his musical vision. To my ears, Kobaian sounds something akin to German, and fans have Web pages devoted to translation if you care to delve deeper into Kobaian linguistics.

Bourges 1979, AKT XV is a double-disc live archival set, capturing Magma on tour supporting their 1979 album Attahk. The seven tracks include two songs from Attahk along with the band’s early magnum opus “Mekanik Destruktiw Kommandoh.”

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Chris Farlowe – “Hotel Eingang”

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It’s hard to believe that singer Chris Farlowe is two years shy of 70, but his voice still has the soulful energy that’s made him one of the best rock and R&B singers for five decades. His latest album, Hotel Eingang, is a killer blend of plucky R&B numbers and smooth ballads, the perfect platform for Farlowe to do what he does best: intrepret the songs of others.

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Uriah Heep – From Very ‘Eavy to Wake The Sleeper

Check out this three-way discussion covering the entire Uriah Heep catalog. Skull Sessions host Bob Nalbandian is joined by my friend and metal expert Martin Popoff and former publishing editor of Metal Rendezvous magazine John Strednansky. The trio talk about Heep records from Very ‘Eavy Very ‘Umble up to the latest release, Wake The Sleeper.

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Genesis – “Trespass”

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Although Genesis would truly enter their “classic” phase with Nursery Cryme in 1971, its precursor Trespass not only hints at what was to come but features several standout cuts as well. “The Knife,” “Waiting For Someone” and “Visions Of Angels” all have the stamp of the best of Genesis’ work. Trespass is also notable as the last Genesis record featuring guitarist Anthony Phillips (who went on to a fruitful solo career) and drummer John Mayhew.

The following year, Phil Collins and Steve Hackett would join Peter Gabriel, Mike Rutherford and Tony Banks to record Nursery Cryme, the album that served as a stepping stone into stardom for one of progressive rock music’s greatest groups.

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Aerosmith – “Get Your Wings” – Best Aerosmith album?

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In between “Dream On” and “Walk This Way,” the songs from Aerosmith’s 1974 album Get Your Wings seem to get pushed to the side. Wings wields a smoking cover of “Train Kept A Rollin’” and a handful of great originals as well. “Same Old Song And Dance” features a catchy riff and a killer saxophone solo; the gritty “S.O.S (Too Bad)” is why Aerosmith were often called America’s answer to the Rolling Stones. “Lord Of The Thighs”opens with a thunderous drum beat and some ringing chord changes. The tune became a concert staple for the band in the ’70s.

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Rossington Collins Band – “Anytime, Anyplace, Anywhere”

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The Rossington Collins Band’s first album, Anytime, Anyplace, Anywhere, is a severely overlooked record. It gave the group two radio singles – “Prime Time” and “Don’t Misunderstand Me,” but it’s the powerful singing of Dale Krantz on “Three Times As Bad” that steals the show. There’s some fine drumming by Derek Hess, too. In wake of the Lynyrd Skynyrd tragedy, this album is even more remarkable – the phoenix rising on the cover is no overstatement.

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